" Animate Earth" Art Show

“Animate Earth” is a joint Art Show in Collaboration with artist Emily Johnston, March-June 2024

“ANIMATE EARTH”

This body of work draws on conversations and walks I had with Emily Johnson. In my studio I started to explore a few different concepts based on the boulders, mountain vistas and waterfall basins that we visited last year. About a couple of weeks into this exploration I recalled a small meadow we passed by on the way down to the Kaaterskill falls filled with dried grasses and wildflowers. The grasses had dropped some of their seeds and looking more closely, examining them in my hands I noticed some were split open creating flattened surfaces. Somehow the mystery of these dried seed hulls started to nudge me while I was working through some of the other sketches. Maybe it’s the mystery of the cyclical nature of these small but powerful life force s containing seed pods that got me thinking about how they are carried distances by the rain and wind . Replant ing themselves in different areas the seeds then enter a winter rest period before starting the cycle all over again. I am interested in the way that objects or sculptures communicate with people. Conveying a message, a story and for me it’s also very much about the journey of how the shapes came to be. I’m curious about the process, following the sometimes subtle insights. I also see this work as open ended, one step leading to the next. An elastic idea or thread.

Some of the pigments used in the paintings and ceramic glazes came from local shale rock gathered and milled by http://emily-johnston.com/

Animate Earth Show on view at https://www.weirdspecialty.com/gallery in Tivoli, NY March 23-June 15, 2024

Collaboration Project with Artist Steven Weinberg

Drawing inspiration from the quiet mountain vistas to creeks flowing through the Spruceton Valley this collaboration between artists and neighbors Sarah Mitchell and Steven Weinberg tries to inhabit the spirit of the Catskills.

In 2023 h my friend and neighbor Steven Weinberg and I collaborated on a limited collection of platters and Bowls.

It started with making several rounds of test tiles to narrow down the clay body and glaze colors before diving into the ceramic shapes. Once the pieces were bisque fired HTTP://WWW.STEVENWEINBERGSTUDIO.COM/ took over painting the beautiful artwork over the surfaces before the final kiln firing.

Here are a few of the final collaboration pieces.

The Petal

The petal vessels evolved out of an experimental sculpture project with an oceanic theme in mind, specifically corals shapes. Looking to draw attention to the astounding beauty of universal reefs and the urgent need for preservation.

It was a project of learning and discovery, exploring a combination of wheel and handbuilding to initiate a new creative direction.


Making the petal vessel is a lengthy process. Each vase requires a unique assembly, starting with a wheel-thrown vessel​, laying out the pattern​ and attaching each petal by hand. The finished vessel goes through a careful ​6 week ​slow-drying phase until they are ready to be fired. Once fired they often go through additional firings to achieve the desired surface texture.




Studio Process

Studio Process

I recently engaged in a ceramic project with Cour ceramics. The challenge involved each of us creating 3 vessels with 5 or more attachments/appendages.
The intended purpose of this project was to initiate a slightly different approach to our work.  Our goal was to discover a new process and creative direction through broader experimentation

Arc Ceramic studio

The Arc ceramic studios came together bit by bit. It took several months to build and insulate the spaces. Worth the wait, blisters, sweat and heavy lifting.  Laying 300 ft of electric cable to power the kiln. The studio on the right is where I create the work and the other for kiln firing it. The deck will offer outdoor hand building project space during the summer months.

 

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